Tag: rejection letters

  • hanging on in quiet desperation is the english way

    Okay. We’re back. 

    Sorry for the interruption in service on the website. Something got all shittered up on the server end, and the webmaster (aka my dad) had to fix everything on his end, which ended up taking a whole lot longer than anyone expected. At least all the data was saved, even the pictures. My dad wasn’t sure that they could be saved, so now I don’t have to spend hours reuploading all my concert photos and dumb cartoon scribblings.  

    But even before the server outage, I’ll admit, there’s been a long gap between posts. The last update, the Acid Bath one, was in August, and it’s October now. Sorry for not writing anything, but to be honest, for about a month and a half, I just wasn’t writing. Anything: novels, short stories, obscene limericks, anything. There are times when you need to recharge your batteries, but to be honest, there was a lot more going on in my brain than just a recharge. 

    Basically, I had an agent reading a YA novel of mine, who ended up passing on it. That happens – I’ve had agents pass on novels before – but in the last three years, only two agents have even requested anything more from me. Before 2023 or so, I had agents request partial or full manuscripts every few months or so. Now, with so many missed opportunities, I guess the failure just piled up like snow on the roof, and finally the roof caved in. I had a crisis of confidence that, mixed with an issue with my brain medicine, led me into a depressive spiral. I was sleeping more than twelve hours a night, I wasn’t really eating all that much, and even dragging my feet to the Safeway by my apartment seemed like an impossible journey. 

    There’s no need to worry about me. I’m feeling better now. For the moment, I’m in California, not because I’m in some kind of crisis mode, but because of reasons I’ll tell you about in a little bit. Besides, I’ve survived way worse mental health episodes. In fact, after I graduated college, I was in such a bad place that, if it weren’t for the ACA allowing me to use my parents’ insurance to get brain medication until the age of 26, I probably wouldn’t even be here today. Thanks, Obama. 

    I’ve talked to a few people who are in the know, and they say that it’s not just my perception that agents are a lot more gun shy these days when it comes to new authors. Sales are down across the whole industry, and margins are thinner than ever. I get that. What pisses me off is that it seems agents and publishers want contradictory things. They want something that’s guaranteed to sell and make them a ton of money on commission, but they also want something distinct and unique like nothing else in the marketplace. You can’t square that circle. No one can predict what’s going to be successful in the market (remember Fifty Shades of Grey?), so you may as well publish good books and hope they find their place. 

    So recently, I’ve been changing tack. I’m sending novels to indie publishers. Since they operate outside the corporate structure of the Big Five, they might be willing to take more of a risk on unknown authors. Besides, “indie” doesn’t necessarily mean “small”. Scholastic is technically an indie publisher, as is Harlequin, and they both have massive market shares. 

    To my surprise, the first indie publisher to which I sent a novel manuscript offered me a contract, completely out of the blue! Unfortunately, after reading their offer, I noticed a bunch of red flags. Serious red flags, like soaked-in-the-blood-of-my-enemies red. This publisher was asking for me to “help financially with some of the production costs”, and after doing some research, I found that this meant that if I signed this deal, I would be on the hook for £3500 or so (it was a UK publisher), and once I’d paid up, the publisher wouldn’t really care about marketing the book or anything, since they would have gotten their money out of me already. So it was a scam. Somebody tried to scam me. 

    Whatever. I’m too smart to fall for that trap. Besides, I don’t have £3500 to spare. I can only dream of one day becoming a multi-thousandaire, but if I had a spare three thousand quid, I’d just blow it on open world video games and chaste, slow-burn yuri manga. 

    I don’t know why I’m so desperate to get validation from complete strangers about my writing, or why I value their opinion over my friends’ and family’s, or my own. I think it has to do with the emotional abuse I got when I was a kid. I wanted so badly to feel I had value, value that only existed in the eyes of others. Because that’s the lesson autistic kids get taught: hide your true self, pretend to be just like everyone else, or EVERYONE WILL LAUGH AT YOU AND HATE YOU. I liked writing. I thought I was good at it. Maybe if I published a book, I thought, at a younger age than Christopher Paolini did with Eragon, people would treat me as though I had value, that I wasn’t just some weirdo playing imagination games in the bushes. 

    But what does “value” mean? When you’re trying to publish, you’re turning yourself into a commodity. You become something that can be bought and sold, that can be assigned a monetary value and marketed like a new flavor of soda. Because in many ways, my stories are me, or at least a part of me. How are you supposed to reconcile that? When you see your worth as a person as a commodity to be monetized in an impersonal capitalistic system, you’re going to end up being crushed, again and again and again. 

    This is why I go to therapy. 

    This is getting to be a bit of a jumbled-up ramble, eh? Sorry about that. I’ll just close by letting you know a couple of things: 

    Thing the First: I just got back to Santa Cruz from a camping trip through the Nevada desert with my dad! We had a great time. I spent a lot of the trip rereading The Book of the New Sun and burning through Margaret Atwood’s new memoir. I’ll have a dump of photos in a few days, once I’ve got a chance to do so. Because like I’ve said, this blog is sort of like an Instagram, at times. 

    Thing the Second: I’m going to see Acid Bath again at the Quarry Amphitheater in a few days! It’s my third time seeing Acid Bath, and my second time this year (as you remember from my most recent post, waaaay back in August). I knew I’d be swinging by California after the road trip, so I got tickets to the show, mostly because one of the opening bands is the Melvins, and the Melvins are some of my biggest musical heroes. Photos will be coming! 

    Thing the Third: Literally as I was writing this blog post, I got a response from an agent requesting a full manuscript. It came out of the blue, since I expected to go months or years without getting another submission request, as elucidated in the previous paragraphs of this blog. I don’t want to get my hopes up, of course, but it’s a chance. A small chance, but “small” doesn’t mean “zero”. 

    Anyway. That’s all the fit that’s pit to shoast, at least for the time being. I’ll check in soon, I promise. Keep your appendages crossed for me. 

    ~ Ian (listening to Death Knocks by Hoaxed)

  • in the wake of adversity

    credit: Jabin Botsford

    When I was just a little guy, a baby-faced twenty-year-old with a downy chin and a lingering adolescent acne problem, I couldn’t imagine ever getting a rejection for my writing. Why would I? As discussed in one of my previous posts, I thought I was hot shit.

    Now, after almost seven hundred rejection letters, I can really imagine getting rejected.

    I’m not unique in this, I know. It’s frustrating because I know I’m a good writer. Am I a great writer? Probably not. But I have an ear for dialogue, an eye for description, an ability to create complex and compelling characters, and more importantly than anything, an unutterably stubborn, pig-headed determination. But even I’m not great, I can take a lesson from those who are not only great, but who are transcendent: the kinds of talents that come along once in a century, if not more.

    Case in point: Lionel Messi.

    By any reasonable statistic, Messi is the greatest footballer of the twenty-first century. The only people who even come close to his level across history are Pele and Maradona. Maybe you can include Christine Sinclair, if you want to add women’s footballers. But even though he’s possessed of a left foot blessed by the golden gods, it wasn’t as if everything came easy for him. When he was a boy on the mean streets of Rosario, Argentina, he was head and shoulders above all the other kids in the Newell’s Old Boys academy in all ways except height. In fact, he was released from the academy because the club couldn’t afford the hormone treatments that would allow him to grow to anything approaching a normal height. Fortunately for Messi, FC Barcelona stepped in, said “We will pay for your growth hormones, tiny child,” and took him to Spain to play for their academy, La Masia, which is basically the equivalent of Soccer Harvard.

    Messi advanced through the ranks and broke into the first team, and he and Barcelona started dominating. League titles, Copas del Rey, Champions Leagues… there was nothing that the Barcelona of the 2000s and the 2010s didn’t win. And yet, while Catalunya loved him, the people in Argentina thought that he was barely even Argentine. He had grown up in Spain, they claimed. He wasn’t a “man of the people”, whatever that means. Whatever their justification, the people of Argentina were cool, if not overtly hostile, to him.

    Fast forward to Qatar in 2022. Messi no longer plays for Barcelona. He’s well into the last stages of his career. 2022 might be his last chance to win a World Cup. Fortunately, after winning the Copa America last year, the Argentine public has warmed to Messi. His fellow players will run through a wall for him. If Messi wants to win a World Cup with Argentina, this might be his last chance…

    …and they lose the first game to Saudi Arabia.

    It seems inevitable in hindsight, when really it was anything but. They got out of the group stage, fought tooth and nail through the knockout rounds, and got to the final against France. Even then, Argentina had to overcome over two hours of football (two regular halves and two extra-time periods), a Kylian Mbappé hat trick, and a pants-shittingly tense penalty shootout before claiming the world title after the greatest final in World Cup history.

    I remember that final. I was in a pizzeria in Madrid when I watched it. Most of the people working there were Argentine. You’d think the roof would’ve come off that place when the final penalty went in.

    I’m not the Messi of writing. I’m not even close. But if someone who has a legitimate shout to be the greatest of all time in his particular field still had to go through the wringer to achieve his destiny, maybe none of us should feel bad for going through adversity to achieve ours.

    Even if it kind of sucks.